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The Making of Photographydatabase.org (2)

These types of projects need boundaries to assure that they are finite and do-able. Our boundaries have continuously expanded: from only U.S. public collections to international collections; exhibition histories for museums as well as for photographers; links to the proliferation of web sites; and recently, commercial galleries. […]

The Making of Photographydatabase.org (1)

Andrew Eskind: Photographydatabase.org is a free, online database indexing over 95,000 photographers — from the beginning of photography up to today — whose work is owned by, and accessible to researchers at, over 1000 public museums and archives in the United States and throughout the world. It cross-indexes photographers, collections, exhibitions, bibliographic citations, and now, for the first time, commercial galleries as well. It is the most extensive reference tool of its kind in the field of photography, with additions made on a daily basis. […]

Confessions of a High-School Photography Teacher: My First Year

Allison Carroll: I was two years out of the Art Institute of Boston, studying photography. I had four years under my belt of gainful employment as a studio manager for a fine-art photographer, and three summers of teaching photography to pre-college high school kids. I thought this made me fairly well equipped when I signed a contract to become a part-time faculty member of the Art Department at St. Sebastian’s School in Needham, MA. […]